Posts Tagged ‘ illustration ’

Putting Pencil to Paper – Making The Case For Illustration

Henri Matisse said, “Drawing is putting a line around an idea.” we’ve always liked that quote, but step inside any ad agency, design firm or interactive shop these days and the chance of seeing drawing, illustration, hand work, etc. being used in a project is slim to none. Sure, there’s lots of it to be found on the t-shirts being worn or the posters hanging in cubicles and the skateboards in the corner, but rarely in any of the work. If the key to effective marketing is positioning your products or services so they stand apart from the competition, especially in a world dominated by bad stock photography, illustration is an excellent option.

It seems as if clients and creatives automatically default to photography. It’s familiar, what they understand and what they know. Many people only think of illustration as being humorous or childish and nothing could be further from the truth. Good illustration is conceptual, makes strong connections and often translates an idea faster and more effectively than a photograph. Even stock illustration conveys more character and personality than your average piece of stock photography. And illustration is always a good choice when you need images of something that’s impossible to photograph.

Several years ago, our copywriter worked on a big project for a quasi-governmental agency that administered financial aid programs for college students. By law they were required to produce a booklet, similar to an annual report, that summarized all kinds of financial information and was distributed to everyone who had a loan with them. It also had to be state specific for each of the three states in which they did business. Since they made loans to all types of students, they wanted the images in the booklet to reflect diversity. The booklet from the previous year had used stock photography to achieve this but they felt it was a mess. Sixty pages of copy, graphs, charts and bad mismatched photos.

Their solution was to use illustration. They hired an illustrator to do about 30 simple sketches. The images were very loose drawings but clearly indicated the gender, race, age, etc. of the people pictured. There were also images of books, pencils, coffee cups and other random elements of student life. Since the drawings were loose, they used a single line to connect each image from page to page. The line started on the cover and ran through the entire book to the back cover, implying the loan you borrowed took you through your entire college experience. To differentiate from state to state they simply changed the color of the line from blue to green to red. The end result was a huge success. The client even received positive feedback on the piece – something that had never happened before. Best of all, the cost of the illustration was less expensive than if they’d had to buy a bunch of stock photography and Photoshop the images to try and make them look consistent.

Budgets and timelines are a factor with any project. And illustration doesn’t have to be expensive. There have been times in the past where we’ve contacted local colleges and art schools and met with students to see their portfolios. In several cases, we hired students to do work for an assignment. It’s a win-win situation.

Another option to consider is maybe you don’t need to use imagery at all. Good typography is imagery in its own right, and can make for a strong visual solution. Many illustrators will do some sort of hand-lettered type which serves to not only get your message across in words, but visually, as well.

There’s an old business adage that says, “When everyone else is zigging, why not zag and stand out from the crowd?” Illustration isn’t right for everything and many times the project will dictate when it’s appropriate. If the challenge is to get your clients products and services noticed, put pencil to paper and consider illustration rather than stock photography as a great way to make an impact.

Handwork vs. Technology

Recently we developed a campaign for a financial industry client that involved illustration as a foundation for the visual imagery and it got me thinking.

Thinking about how much we rely on technology as a tool for design, writing, even to read this blog.  Thinking about how much I appreciate “handwork.” Thinking of the time, talent and dedication it requires to create something with your hands.

That’s the reason I got into the world of advertising. Well, not directly. But my passion for illustration and fine arts led me down the path to art and creative direction.

I enjoyed the process of creation—the idea, the execution, the results. And the tools…oh the tools. Pencils, pens, erasers, papers, knives. Things that spray from cans. You had rulers, big tables to work on. And the stuff you created took hours upon hours until it was just right.

And it was YOURS. Even if you gave it away for an ad, a t-shirt or a book cover—You did it.

So now it’s hours and hours behind a box of knowledge. The glare from the screen. The hum of the cooling fans, slowly bringing you into a state of consciousness somewhere between jet lag and REM sleep.

Now I feel like I moved some stuff around on the screen. Set some type. Blah.  My Mac drew the perfect circle, I just told it how big I wanted it.

Technology has overtaken the true art of handwork.

Things are slick. And glossy. And exact.

Handwork Flourishes

Wall-to-wall handwork.

Yee-Haw Industries: Wall-to-wall handwork.

I recently took an unexpected trip to Knoxville, TN.  While there, I was hoping to get a few minutes to visit an old friend. Yee-Haw Industries. (I’m really not their friend… but I enjoy their work so much, their handwork, that I’d be their friend.)

Yee-Haw Industries  is primarily a letterpress printer—the “old” kind of printing with wood type, lead type, hand-cranked printing presses. Think old west meets deep south and they made a circus poster.

Old wooden floor. smells of  paper and ink and the solvent you clean the press blankets with. They had the big tables and the wood cabinets. Stuff made of cast iron.

I think the only need for electricity was for the coffee maker and the lights.

Cabinet after cabinet of lead and wood type.

Yee-Haw Industries: Cabinet after cabinet of lead and wood type.

Everything in there was done by hand.  It was a museum of fine art, design and typography with people touching the exhibits. It was wonderful.

You can see the skill, determination and passion in every print they create. The lines are rough. The ink is a little heavy here and a little light there. Technique, limitation of the process or human error? Who cares—I loved every minute detail of it.

And they OWN it. It’s THEIRS. The style, the techniques—even when they give it away for a poster or a note card, they did it.

Give Them a Hand

So I bring this back to that campaign we developed for the financial client.

Part of our pitch was that the (uniquely) illustrative nature of the campaign was representative of their  history, tradition and the relationships forged with their customers.  Like they did it back then. And do today. I explained (and truly believe) that the consumer will make an emotional connection through the illustration to the brand. And that ‘s (part of) the battle.

They liked it. It’s going to run. I think they saw through our dog and pony show  and made an emotional connection with the artwork. The handwork. It represented them and related to their audience.

And most of all, THEY could OWN it.

Have you noticed a return to handwork? Or has it never gone away? And, what is unique about your campaign—how do you OWN it?

I’d like to hear your responses.